Communion, even though sometimes referred to as being religious, is a basically a gathering that is used to connect and unite. It usually takes place between people you care about each other. It is simply a way to tell one another i like/love you and i want to have a connection with you.
Communion can interpret a word in quite a variety of ways
Communion can interpret a word in quite a variety of ways
- Whenever people eat or drink together, its communion.
- For example sometimes a meal is just a meal and eating with others is simply eating with other but more often than not, though, it’s not.
Communions are not always holy
- Communion can also represent intercourse, though intercourse does have more meaning that sexual being.
If a meal goes bad it brings up things like people losing their appetite or walking away from the table.
Example of a communion going wrong:
Macbeth, Act III.4
The banquet scene in Shakespeare’s shortest tragedy is probably the
first “dining” scene that springs to mind when I think of famous
examples throughout literature. There’s Macbeth, newly king, coming
together with his thanes to celebrate his rise to the crown and to
symbolically consolidate his power and witness their pledges of loyalty.
But even while he’s welcoming his guests, the happy host is also
dashing off to a corner of the stage to speak to one of the thugs he
hired to murder Banquo and Fleance. He even invokes Banquo’s absence
(“Here had we now our country’s honor roofed/ Were the graced person of
our Banquo present”). And as if to throw these false words back in his
face, the ghost of Banquo arrives on stage, and Macbeth, seeing his
“gory locks,” and bloody visage, goes completely nuts, screaming at his
thanes and yelling at the ghost that no one else can see.
Lady Macbeth tries to keep the peace, moving between assuaging her dinner guests (“Sit worthy friends. My lord is often thus,/ And hath been from his youth) and rallying her husband back from his vision to the matters at hand by verbally assaulting his masculinity (“Are you a man?”). I remember speaking in a middle school class about whether or not the ghost of Banquo should really appear on stage in this scene, or whether Macbeth should simply react as if he is there. Though I think the class was divided, since then I’ve never seen a production where the ghost didn’t physically appear on stage (as indeed, the stage directions indicate quite clearly he should). In the Macbeth I saw in London in May, Banquo’s body rose out of the platter of food set in the middle of the stage, his bloody hand reaching out of the roast boar, followed by his even bloodier torso.
This scene is a great example of a meal gone wrong – - everything the gathering was meant to accomplish (establishment of good feeling and loyalty between Macbeth and his thanes, a chance for his subjects to see the strength of the Macbeths’ marriage, their generosity as hosts, and even the simple mealtime goal of strengthening health through nourishment) backfires completely. Macbeth acts like an insane man; Lady Macbeth has to send all of the guests home; she herself has to wonder at her husband’s behavior, shut out completely from his experience of Banquo’s ghost. By the end of the scene, the initial charged and ambitious intimacy of their marriage has been irreparably damaged, both of their sanities brought closer to the edge, their fears and paranoia heightened, and their hopes of securing the unquestioning support of the Scottish thanes dashed completely. Done right, it’s a brilliant scene, full of tension, fervor and fear.
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